⁃ ⁃         NuDuHaHii          NuDuHaHii          NuDuHaHii          NuD                               Hii  ___                                                                               uHaHii          NuDuHaHii          NuDuHaHii          NuD

uHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDu                           HaHii          NuDuHaHi ⁃ ⁃         NuDuHaHii          NuDuHaHi i          NuDuHaHii          

DuHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          uHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDuH aHii          NuDuHaHii          NuDuHaHii          NuDuH aHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHi

⁃ ⁃         NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuD

uHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          

 ––NuDuHaHii ––

        Nu DuHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuD uHaHii          uHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDuH   NuDuHaHii          NuDuHaHii          NuDuH aHii          NDuHaHii         NuDuHaHii                                               NuDuHaH           ii          NuDuHaHii          NuDuHaHii          NuDuHaHi ⁃ ⁃         NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDu HaHii          NuD

                                                                            * £¡–º`ª¶            …………… ………

•       _˜ø…                                  NuDuHaHii     NuDuHaHii     NuDuHaHii     Nu-          \                                                                               

•                                                                                                                                                                                         T    I     M     E    
•         (          p l ayer )       +1

⁃

64Bit Unix Mp

The Psychedelic Truth

Living Image at Electric Speed

•                                      
•  
•                                                                                      
•                  
•   DuHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuD
• u                                                                        HaHii          uHaHii          NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDuH   NuDuHaHii          NuDuHaHii          NuDuH8 rows of 8 aHii          NDuHaHii         ii          NuDuHaHii          NuDuHaHii          NuDuHaHi ⁃ ⁃         NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDu           * £¡–º`ª¶            ……..
•       _˜ø…                                  NuDuHaHii     NuDuHaHii     NuDuHaHii     Nu-          \      
• +ime¡!pLay(e®  +1
• 
• 

there is no death

you start over

00:00:00:00

x: 0

y: 0

z: 0

d#: 0

the answer lies golden folden 

in the envelop of time

•                         64 
•       8 rows of 8 
• 
  

•  
•   text cracks 
• voices 
• of 
• silence
•   ————
• ——
•  
• 
  

Time(Player)+1’s

 Nuduhahii

• ⁃ ⁃ ⁃ ⁃ ⁃ ⁃ ⁃ ⁃ ⁃ ⁃ ⁃_____

•   HAND    
•  
•     DRAWINGS 
•  
• 
•  
• SAVES
•  
• LIVES
•  
• 
  
•  WARNING 
• you may hear rhymes
• shouting from the 
•  Watch Towers of Hanoi 
• 
  
• 
  
• TimePlayer+1
• listen to the patterns 
•  anyone can do this
•  
• ii          NuDuHaHii          NuDuHaHii          NuDuHaHi ⁃ ⁃         NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDu HaHii          NuDuHaH ii          NuDuHaHii          NuDuHaHii          NuDuHaHi ⁃ ⁃         NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDu HaHii          NuDuHaH ii          NuDuHaHii          NuDuHaHii          NuDuHaHi ⁃ ⁃         NuDuHaHii          NuDuHaHii          NuDuHaHii          NuDu HaHii          NuD

Are you ready to sit with yourself?

everything leaves a trace 

on everything else

draw at any time 

  heal your mind  

free the leeches and fungi

their residue weaves

profudni in abundus

break free from

all previous notions

•

look at this dot

the dot is a            hole

•

“AN EYE-OPENER”

new york daily news

“AS+ONISHING”

vogue

“FASCINA+ING”

washing post book world

“LEAVES YOU BREA+HLESS”

san francisco chronicle

“DON’T MISS +HIS +1.”

library journal

• D•1
• D•2
• D•3
• D•4
• D•5
• D•6
• D•7
•  

measures of the hole scale

• •••••••
• 
  
• 
  
• 
  
• 
•  
• 
  

• WELCOME               TO
•  
•       THE     FIRST     
•            AUTONOMOUS
•                WORK   OF     ART
• (ART)
• 
• 
  
• created with
• TECHNOLOGY
• +    
• NATURE
• + 
• MiND - IN - MA+TER

+ime¡!pLay(e®+1

 64 bits 

“no own owns anything in the synchro city”

“the greatest story told by all”

-Scienctism 

• developed by 
• 
  
• THE  
•  
• WORLD’S  
• 
  
• FIRST 
• 
  
• CYBORG
• (PSY)BORGÉS 
• Evo
• A SELF GENERATING 
• NOVELTY
• THAT YOU PLAY
• INTO
• EXISTENCE

the synthesis of ancient 

and modern

communications

a story world 

creation technology

 the psychedelic truth 

living image at electric speed

simple complex

by Anorld Tongue

i hear three beeps

my neighbors microwave 

went off on her again

across the hall

i was halfway into a block of 

sharp cheddar 

and crackers from a box 

standing in the kitchen 

i was cutting the cheese

yearning for more I opened the fridge

a plastic bowl of cabbage

mayo, avalados, tomatos and a fork

the fork was cold from leaving it in

i spilled the beans

on the floor

i swept the beans up

only to realize had

i not spilled the beans and 

tho i was upset when i first

spilled the beans after i 

cleaned the floor

dirtier than before

i was relieved 

i spilled the beans

i was walking 

i saw an apple

on the ground 

but there was 

nothing 

above my head

here we go again

another morning

time is moving

I’m still in bed

wind blew the pages of the book

from beginning to end

checking lists

makings fists

walking down steps

automatic

how do we do this again?

loops seem evidence in the case

of our human defense

patterns in behavior

of the simplex complex

braid your hair the universe is there

————————————————————————

TimePlayer? Images?

What does it mean?

Please Relax

 TimePlayer,

we absorb image

into our lives to

 live them out

we may make any image

the living image

AHHAMON

NUDUHAHII

i N    

T h E    

 M  oO ooooooo ST   \

                   ((  e  X p   R    e S s i   Ve       ))   

WaaaaYs

¡mA   g  E     Ab le

what are you saying these images are fake?

HAHII!¡

what did you say?

HAHII!¡

what does that mean?

what be told manifolds

let it be said

what is told 

is all 

we know

hahii

what we say is what we play

hahii

the upstream promoter 

has been induced

•

FOR ALL TO UNDERSTAND

+PLAY

SCIENCE 

NON-FICTION

 SECTION

AWARDED #1 

NOBEL PEACE PRIZE WINNER

“ONE OF THE MOST ENCHANTED, 

DELICATE, AND SOPHISTICATED VOICES TO EMERGE

FROM THE PSYCHE IN THE LAST 500000000 YEARS.”

—New York Review of Media

“THE BIRTH OF THE CROSS 

BETWEEN ALBERT EINSTEIN AND TUPAC SHAKUR”

—AU Courant

Underground Subterranean Despot Division (USDD)

“It Calls Itself A Program”

—Wired

“the meme in the gene”

—Ebony

hear the sound in the liquid

a posthumous occurence

you took your colony with you

a hive of the sacred water womb 

pituitary highs folded in flag manifolds 

wax banners of alternate universes occur 

at the cosmos of the macros script

our dancing signals carry soft spits

from our naked tongues indelible swims

skin is warmed to waters calmed 

my head dipped through 

glass silk woven fabric

of your trismegistus gown 

folded open stream waters abound

that flood universes within 

shaping earth sculporeal at 

the precipice to protea 

fingerprints in totià

nomenclature fourplay

skin is warmed to waters calmed 

my head dipped through 

glass silk woven fabric

of your trismegistus gown 

honey dew pollinating glands 

where senses roll softly smash

Sugarcane You’re Insane

everything inside feels outside bathed

on the warmth of energy drawing glaze day

a magnetic galaxy of dopa shades

endo slowly rising up 

swirling adreno oil puffs of noxin

whirpool oxy and serot mixd in

nebflow plant has grown

to our care we give

one another brave finched fare

we are in one another’s existence

the space of methods

a posthumous occurrence

forever formed strands of eternity’s brane child

our tongues still bathing in films

photosynthesis produces 

the gloss on the bulbous edge of your saliva

refracts the light dividend 

infinity introband retina rules

in my head

in my heart 

in my hand

this is a soft touch on your stomach

on your back on your neck

on your folding prose

folding over close four leafed clover

vibrating gloss of hatch

the ion mosh

a warm nose warm toes warm 

dorphins dipped 

skin is warmed to waters calmed thin

my head dipped through 

glass silk woven fabric

of your trismegistus gown 

 free the old nest of feelings of your colony

umbilical of anything other than the struck

sublime buzz of our creation’s sustenance  

novelty forms substance 

in the lain 

around the hexagon of our affectation 

a natural selection

of a honey so sweet we get a bit

cranky after we eat

when the buzz calms down

we’ll cool it with tea

and let the buzz be

⁃

Emotional Weaver

COMMITMENT OVERWATCH

Grab Baggers for World Taggers

•  
• +ime¡!pLay(e®   +1 ⁃     PLAYER  SELECT 
•  
•         ⁃
•  THIS IS BEING MADE
•  AS YOU PLAY

 SUNSPOT 

select your birthdate

• now with optimized frame rate

  evolution occurs

you live forever in occurrences

• hear thy neighbor
• knocking behind 
• the wall
• 
  
• for we live by
• thy neighbor
• despite any wall
• 
  
• it had been six
• months no! seven months
• since hearing knocking
• behind thy neighbors 
• wall
• 
  
• good for thy neighbor
• good for us all 
•   8 rows of 8    
• \

wiiiiiiipe iiiitttttt offffffff

Gustav

!¡

hours in forever

The Formula Synthesis

enzyme harmonics

(R=Lm)

the universal formula

numerology

psuedopsyence

buddhism 

the tarot

the stock market

chinese i-ching 

(see: king wen sequence)

the tibetan book of the dead

american science fiction

the bible 

(see: book of genesis REF: 904271075  the logos_incarnate 

working title: meme in the gene) 

the fibonacci sequence

theoretical psychology

ancient geometry

hermetic code

astrophysics

string theory

aerospace engineering

semiotics

communications theory

pharmacology

molecular physics

greek mathematics 

virtual reality

i thought you said this didn’t use any science?

who said that?

you up there I can prove it, i’ve got the timestamp, 

that doesn’t prove anything we say things we don’t

mean all the time

science is just a description of something outside of itself

we do things that don’t really come off as we intended

in fact most things in life are failures of our intentions

arguably everything is a failure of sorts

a fractal, xeno was skizo

ok buddy are those even your words? 

you sound lost

well according to xenon we are more than just lost

you need to back up what you say with hard

concrete evidence!

 i need credentials, formulas, names, 

dichotomies, dates, copyrights, ups,

 details, details, MORE DETAILS!!!

FACTS!! Notary, your mommas signature,

your dads approval, 

your college professor’s name and number,

seven letters of recommendation, and a 

smoking gun damnit!!!

Look Gustav

Facts Change

what more details do you really need

other than the immediate direct nature

of our thoughts

+

the electric speed of light

+

your mind

 TimePlayer

+1

The Harmonics of the EKG

   The Magnetic  X   

bridge your membranes

program your strand

build your reality with

emotions that you control

bliss voltage of the 

magnetic x of the EGK

can you cope with the measures?

i have some answers

i know i have some answers

which is a clearer word for observations

(my heart sucks me up too)

i know i have you

literal electronic voltage

wraps us in a reality

of hypnosis

may i mix my science 

with your art?

Frank,einstein

i’ll lift you up if you

bring me back down

inside out with us

i’m a fractal attractor 

at my moment of bliss

a tornado that will

suck you in

imploded

we are stretched thin

we all have ponytails

exploded

thy am us

try to ratch down thy helix

compressed

to the wormholes

of our worms

 chancing to stand and not squirm

between the differences

 between our differences

 head and ass

penis and ovula 

do you feel 

that all you can 

really do 

is feel

•

 vibrations  FREE  

THE RADICAL WILL POWERS

                                                    • • • • • • •         

learn how to use vibrations

 Activate Vibration 

pulse   |   soft   |   fast

Note: the program may be the programmer

the milky is a fetus

we will one day birth

and let leak 

a snake charmer of lights

 in a dance

of the nest who eats

their young

embedding 

the spin into 

a golden grail

cup

within the cup

braids of eels 

are eating 

fabergé eggs

of the lo phase

this is the way 

through the sun

•

• 
  
•  professor ahhamon 
•  what’s your best advice 
•  to students??
•  slow down
• ⁃
• live at the pace of nature
• 
  
• understand behind our
• dense complex web
• of the mama_matrix
• 
  
• (that’s only getting denser)

with the population

growing as fast

as it be

one morning 

you will wake up

and there will be

30 more cars a skid

then 60, then 120

and so on

until the street is 

completely sweeped

it doesn’t simplify

it only gets more dense

and layered and 

multi-faceted

What was that Neosze?

lets just say learn to read

jyotish astrology

before the others get to it

 generated from the ovule of the mother plant 

and the pollen grain of the father plant

this is nothing to fear

this is of great 

significance in our

development

we must embrace that

at the core we are

one thriving thinking

mold pour

it runs itself you can’t

control the development

 you can only

live with the flow of

the movement

we are in fact a 

colony

an imagination

the cultivation of biology

and not the nation

of governments or

monopolies or 

schools or economies

do the bees need 

states? governments?

taxes? literacy? 

psychoanalytics?

no

but professor i’m not

a bee i live in language

i express myself through

my thoughts

yeah you do this

automatically

thoughts are

the honey

let’s digress please

take a walk with me in the park

holding this playto clay egg

• you got the clay?

you can mold anything with that

look what we’ve come

across a beautiful 

living image

marriage 

lets be quiet as they create a moment

look at these molds of clay

do you see a pattern here?

there’s a living image in this current… 

how is your mold doing?

AHHHHHHHHH!

that’s looking promising, 

keep pursuing the intuitions…

as an astute pattern picker you see there’s 

living images we live out

common symbols and expressions in our

daily lives as molds of clay

the things we talk about, 

the media we explore, the art we admire,

the art we create, 

the language we use, all derived from our responses 

to underlying living images

in nature

Rue Nymph

the materials we use are all from nature 

even if you lived in a concrete shell

what surrounds you is

molded mind in natures clay

pills are plants

coffee is a plant

you are probably a plant you 

ever think about that?

what do you think you sprouted from?

a seed

why do you curl up in fear and guilt and sadness

at the ill intent of another’s presence 

the mere thought of the gripe can 

grip your bite

follow the line of descent

this leads us back to a source of a river

the water and the meme

in the gene

you really are from 

one woman

children of the soil

stink

stay true in nature kids

does this surprise you that at your biological 

beginnings are inherently female?

BUT NO I’M A MAAAAAAAAAAAANNNNNNNNNN!!!!

I EAT MEAT AND GROW BEARDS

AND CHOP WOOD WITH MY BUDDIES AT

THE MOOSE ON MONROE

CHUGGING PALE ALE UNTIL WE ARE

SUFFICIENTLY PALED 

hey man throw me a dark tap

i’ll shoot the shit with you here

64 entries in the genetic code

8x8

the i-ching presents 64 situations

Unix is SuperCray-1

this is the chip in your processor

of your cellphone

its derived from the soil

the same place as you

the same place as this stout

you a coffee drinking man?

every day

damn straight brother

i usually crush an energy drink how do you explain that

point dexter what are synthetics

synthetics are a process derived from nature 

cheers

let me tell you what that coffee and goose juice 

is straight from the same place as that microchip

the blessed soil 

you a smoker? 

american spirits

i rolled myself these earlier

 a little something else in there too if you like

uhhh… tea with your meal… 

hahaha its a jack kerouac reference 

who’s that? 

ah just some old friend

anyway,

lets go have a smoke outside boyos

that’s some good shit

literally

now that i’ve got you here

after these brews and this great night shade

but you know what considering how complex

the world is today and how much we are at 

opposing forces with nature

you have to play it as it lies

i dunno I’m feeling nature pretty gooooood right now

this is a heavy buzz

sure because you’re immersed in the bathos that is from the soil

that’s why we all indulge in what we do 

it is at the core of our being

but you’ve got people that bite the apple you know what i mean

no idea what you mean…

the apple can feel things

for real this is science cold hard facts

the apple responds to thoughts dude

it gets sad when you tell it mean things

how the fug u know it gets sad?

we can read the brain signals it sends with scanners

the same signals that humans send

the apple gets sad man

all living life does, the plants, you me, the cops

parked in the lot

so if you’re not biting into that apple with good intentions 

then the apple gets sour pretty quick

no one owns nature 

but we live in a world that 

dominates it and sells it back to you

its fucked up because its like look this isn’t anyone’s soil

it was here before anything

no one gets the credit for that 

no one gets to turn that out for a buck

this land is your land 

this land is my land 

type shit

this land is the lands land 

you know

it lives through us not

the other way around

Ocean could swallow us up tomorrow 

and start all over

no one owns anything here

I bet we wouldn’t be here over indulging in these delicatessen 

if we didn’t have to cultivate our obsessions

into over compensations of a world

that tells us what we want 

we can’t have

unless we pay the tab

people say that’s just how it works

but they are wrong and uninformed 

nothing about the natural state works

of such accordance

you don’t own shiiiiiiittttttttttttttttttttttttttt

shiiiit

it is our nature to reflect the closest thing to us

we are pulled towards anything that is 

a reflection of us

we gravitate to the reflections closets to us no different than our ancient ancestors

the apple is an iconic symbol, 

the fruit, the food, the plants, the dance, love,

celebration, play this is the root of all life

+Play

the remarkable quality of instant electricity 

is that we can parse such intense quantities of history, data,

science, facts, myths, religions, images, languages, history,

 culture, and consciousness

at such an accelerated rate it becomes real-time

real-time consciousness runs itself

pattern picker do you notice repeat motifs?

ditto devices runing themselves

grid mines

with the amounts of information 

we can now process

and we do process every 

bit of it

our brains are large neural receptors

the living image at electric speed

becomes a general frame rate

into the consciousness

and all of its depths

it forms waves in images 

this means we live in all of human experience

at once very intimately

we all experience everything equally

in waves

the only result of enough of this conditioning

will be the complete inversion of

what has been the past

prevailing culture

no one goes unaffected by evolution

the internal made mind externally visual

audio visual

 instantly as fast as it occurs

again this is important but you don’t need to remember it

the internal made mind externally visual

you at the electric tableaux

your brain is that plato putty in the egg

it is overwhelming because

it is very complex

but you have a huge egg head

you’ve got a big brain

and the way you’re shaping up is 

very promising indeed

even if you don’t pay any attention 

to anything 

live in utter isolation 

with your clay egg

evolution will occur to you

our ancestors 

who we have with us today 

in the form of their clay

the content doesn’t create the mind 

the mind creates the content

same as source

this urge and general reflection and expression 

is at the core of our

existence

it is a direct synthesis of nature 

and that’s all she wrote

• evolution occurred to you
• you can now
• decode the 
• psymilacrum
• †˙´®´ ˆß å ˙ˆ∂∂´˜ ¬å¥´®
• ∫´˜´å†˙´ ´√´®¥†˙ˆ˜©
•  
• Forget it
• you don’t need to know
•  

or 

           remember 

                     _______       anything

mama_matrix_creatrix

we are searching for the

Mandala of Nature

in the dada mind

check your judgements at

the door 

in the #D-3

C# Major 

Capo on the Color Blue

wehnce u awoke 

did u give a doth

about the state but any state

as thoth your own?

did u give a dit about a wit

as u observed ur tit by ur

hairy armpit

and

your closed dome

occupant

in the remnants of

rome groan moan

of your creaking

morning bones

fodder of 

situations

that overwrite

themselves

are

always rye on

writing songs

of other

songs

translucent layers

of the onion cocoon

you’ve built

stem walls upon

memories and dreams

and “truths”

same thing noth?

is your doth no doth not?

say wroth?

you dod nod

noddin doth!

skin the onion

and it will make you cry

lick the bulo frog

and you will definitely nog

from the future

bringing you along

what more do you need

to know the world

has feelings

it eats, sleeps, and breathes

and as such by nature

 it dreams

• turn off the
• proff
•  
• all past relationships to reality
• please
• temporary suspended judgement
• 
  
• 
  
• ALL
• 
  
• Math
• history
• facts
• science
• knowledge
• theories
• trends
• myths
• religions
• people
• places
• things
• +ime

turned off 

•

welcome

this is your blank eslate

+PLAY

The Novelty 

Generates

Itself

As You Play

•

+ime¡!pLay(e® 

i’m bringing 

you out

into the ocean 

this is where strings echo

    12:12:12:12

• Folio 14v: The Crucifixion (opposite "Hours of the Cross")
• Folio 18v: Pentecost (opposite "Hours of the Holy Spirit: Matins")
• Folio 22v: Virgin and Child (opposite "Mass of the Virgin")
• Folio 29v: Annunciation (opposite "Hours of the Virgin: Matins")
• Folio 39v: Visitation (opposite "Hours of the Virgin: Lauds")
• Folio 50v: Nativity ("Hours of the Virgin: Prime")
• Folio 54v: Annunciation to the Shepherds (opposite "Hours of the Virgin: Terce")
• Folio 58v: Adoration of the Magi (opposite "Hours of the Virgin: Sext")
• Folio 62v: Massacre of the Innocents (opposite "Hours of the Virgin")
• Folio 66v: Flight into Egypt (opposite "Hours of the Virgin")
• Folio 72v: Coronation of the Virgin (opposite "Hours of the Virgin: Compline")
• Folio 76v: David in prayer (opposite "Penitential Psalms and Litany")
• Folio 93v: Resurrection of Lazarus (opposite "Office of the Dead: Vespers")
• Folio 98v: Chanting of the Office of the Dead (opposite "Office of the Dead: Matins")

Hours of Hours

The Lindisfarne Gospels

The Black Hours, MS M493   

Ingeborg Psalter (Commentarium)

Willelm Vrelant 

the Gothic cognate of "God"

                                                                                         plectrum 

An Odd Thought Concerning a New Sort of Exhibition

Late Antique

Insular

Carolingian

Ottoman

Romanesque

Gothic

Renaissance

N. Renaissance

Islamic

Byzantine

Pre-Columbian

Baroque

  🔥

    backwards racecar:

A_______Quotidian___________________B i O m A n C e r 

Releases of Dubious Origin 

Black Lotus, 

Ancestral Recall, 

Time Walk, 

Mox Pearl, 

Mox Sapphire, 

Mox Jet, 

Mox Ruby, 

Mox Emerald, 

and Timetwister.

Glitch Met Eyetooth

To Elect Eighty Moth 

 'symbol' (rcJlflI1J30A) s                                [Yeti Goth Moth]

A symbol may point to many things, 

to be effective, a sign can point to only one. 

🍳

THY GOTHIC OMELETTE 

A sign stands for or stands in for,  something other than itself 

•¢ª¶∞™____£º¶å

ƒ______–≠–––º≠ª–•___©˙¬ˆ¨∑˙¬

©˙´¥†˙…–––¢™§•–––––––™ª•¶£§¶•–––––––ø™

£•¨™–––––π£¥

®π˙––ˆ¨¥                                            12:12:12:12:12

A symbol is the way of being present of 

                              something in whose reality it partic:ipates.

Understanding and Coping with

The Pressure to Conform

||||||||||||

participate in what it re:presents     partic : les     the blind see and those who see become blind                ( potentially religious )

Lerigious

🎲🎲

Nat King Cole performs: 

Nature Boy

a very strange enchanted boy, 

a terribly sophisticated performer, 

got a cross section of music in him, 

already postmodern.

Vincent Van Gogh 

Eats Yellow Paint

No yellow seen in paintings prior to the 19th century

hirohiko araki

kens burns fx of

John James Audubon’s 

Birds of Americanus

5cm per second

General (Silver)                   An actor playing a role? 

Ella Fitzgerald Performs:        “Mack the Knife”

You go from the foolishly absurd to the deadly serious and you’ve passed through the gaudy and the nasty along the way. 

You get to the edge and you’re played out and you wonder where’s the good news?

 Isn’t there supposed to be good news? 

Like                                                                                                     who? 

Scatman Crothers?      George C. Scott?     Steve McQueen?

Moretta’s Vendetta  

I was thinking in triads anyway,

 like Aeschylus, The Oresteia, 

the three linked Greek plays. 

I’m glad someone else wrote these lines. 

I never would.

Act III

“when you’re all alone, all the children grown, and, like starlings, flown away.” 

Act II

“the stumbling words that told you what my heart meant,” 

Tar Art Rat 

Behave Cannibal Star

Cannibals Art Behaves

Be A Cannibal Harvest

Carnival Banshee Bat

Cannibal Rat Behaves

Heavens Brain Lab Act

Lean As Vibrant Beach

Banana Brats Vehicle

Heavens Barbital Can

Sabbath Rain Enclave

Banish Bra At Enclave

Brain Bath At Enclave

Bitch Reveals Banana

Babe Can Hail Servant

Tonic Triad

Chromatic Minor System

Neapolitan GC

With a series of parallel 5ths between the vocal lines, an exceptional major-seventh chord is created (see example 14b), 

a rare color

5-line Urlinie

motions in thirds 

between 

two adjacent major chords

b flat

G

F

a flat

b flat

g flat

 e Flat

B

A

b flat

G

C

e flat

Act I

The thrill of the thought that you might give a thought to my plea,” 

Carolyn Leigh

The Robe, King of Kings, Samson and Delilah,

Picnic and A Face in the Crowd.

Tommy Dorsey 

Son House

Krupa, Elvin Jones, Fred Below, Jimmy Van Eaton, Charlie Watts.

Casey Dickens, the drummer who played with Bob Wills

Ray Noble, Will Bradley, Glenn Miller,

It was skeleton music, came out of the darkness and rode in on the atom bomb and the artists were star headed like mystical Gods.

Rock and roll was a dangerous weapon, chrome plated, it exploded like the speed of light, it reflected the times, especially the presence of the atomic bomb which had preceded it by several years. Back then people feared the end of time. The big showdown between capitalism and communism was on the horizon. Rock and roll made you oblivious to the fear, busted down the barriers that race and religion, ideologies put up. We lived under a death cloud; the air was radioactive. There was no tomorrow, any day it could all be over, life was cheap. That was the feeling at the time and I’m not exaggerating. 

Songs like “In the Still of the Night,” “Earth Angel,” “Thousand Miles Away,” those songs balanced things out, they were heartfelt and melancholy for a world that didn’t seem to have a heart.

The doo-wop groups might have been an extension, too, of the Ink Spots and gospel music, but it didn’t matter; that was brand new too. Groups like the Five Satins and the Meadowlarks seemed to be singing from some imaginary street corner down the block. Jerry Lee Lewis came in like a streaking comet from some far away galaxy. Rock and roll was atomic powered, all zoom and doom. 

Sarah Vaughan’s My Kinda Love. Also the one she did with Clifford Brown.

What gives this song life and what all those other songs lack, is an exquisite melody which intertwines with the words, perfectly. I’ve seen images in my fireplace too. I’ve always thought that the line in “My Funny Valentine,” “are you smart,” is a goofy line. I kind of look at it this way – the melody in this song is kind of like the background in the Mona Lisa painting, a mystical, phantasmagorical fantasy land. To me that’s the real painting, like a science fiction world. The person looking at me is just a face, I can’t tell if she’s smiling or sneering, she has no particular spiritual nature. I’m not even convinced she’s a woman, but I’m captivated by the background, the melody. It’s kind of like this song, where you might see that “there’s a flaw in my flue” and not look past it or hear past it. I think it’s a great song, not goofy at all.

 I’ve always liked the one from “Mr. Blue,” the one where our guardian star lost all his glow. That’s one of the most beautiful intros. There’s an intro to “Stardust,” too, that nobody ever does. We call it an intro, but back then they called it the verse. What we call the song, they called the refrain. “Stardust” doesn’t need it, but “September of My Years” does. The song doesn’t make sense without it.

poor people themselves have become a commodity. Musical influences too – they get swallowed up, get absorbed into newer things or they fall by the wayside. I don’t think you need to feel bummed out though, or that it’s out of your clutches – you can still find what you’re looking for if you follow the trail back. It could be right there where you left it – anything is possible. 

Lead Belly might have written. There are a lot of songs like that – “Moanin’ Low,” “He’s Gone Away,” “I Got It Bad and That Ain’t Good.” 

I’m sure it has, there’s always some precedent – most everything is a knockoff of something else. You could have some monstrous vision, or a perplexing idea that you can’t quite get down, can’t handle the theme. But then you’ll see a newspaper clipping or a billboard sign, or a paragraph from an old Dickens novel, or you’ll hear some line from another song, or something you might overhear somebody say just might be something in your mind that you didn’t know you remembered. That will give you the point of approach and specific details. It’s like you’re sleepwalking, not searching or seeking; things are transmitted to you. It’s as if you were looking at something far off and now you’re standing in the middle of it. Once you get the idea, everything you see, read, taste or smell becomes an allusion to it. It’s the art of transforming things. You don’t really serve art, art serves you and it’s only an expression of life anyway; it’s not real life. It’s tricky, you have to have the right touch and integrity or you could end up with something stupid. Michelangelo’s statue of David is not the real David. Some people never get this and they’re left outside in the dark. Try to create something original, you’re in for a surprise.

Coltrane was playing in the Village at the same time you were. Did your paths ever cross? 

I saw him at The Village Gate on Bleecker Street a couple of times with Jimmy Garrison and McCoy Tyner.

Ornette Coleman.

Artie Shaw.

Hurricane Carter, or Joey Gallo, or George Jackson, or Catfish Hunter

Willie McTell

Lead Belly and Josh White 

Lenny Bruce and Lord Buckley 

and had read Ginsberg and Kerouac

Gus Cannon, Memphis Minnie, Sleepy John Estes, 

Charlie Poole

Joan Baez.

Iggy Pop’s Après, that’s a good record. 

Imelda May, I like her. 

Valerie June, The Stereophonics. 

I like Willie Nelson and Norah Jones’ album with Wynton Marsalis, the Ray Charles tribute record. 

I liked Amy Winehouse’s last record.

Which one of your songs do you think did not get the attention it deserved? 

“Brownsville Girl,” or maybe “In the Garden.”

Minnesota has its own Mason Dixon line. 

northwest rock and roll, Dick Dale and the Ventures, The Kingsmen played there a lot, The Easy Beats, The Castaways, all surf bands, high voltage groups. A lot of Link Wray stuff like “Black Widow” and “Jack the Ripper,” all those northwest instrumentals like “Tall Cool One.” “Flyin’ High” by the Shadows was a big hit. The Twin Cities was surfing rockabilly – all of it cranked up to ten with a lot of reverb; tremolo switches, everything Fender – Esquires, Broadcasters, Jaguars, amps on folding chairs – the chairs even looked Fender. Sandy Nelson drumming. “Surfing Bird” came out of there a little while later, it didn’t surprise me.

Kid Speed

 a direct realism in faith in ordinary life

You start out wondering why you bought those blue pajamas and later 

you’re wondering why you were born. 

John Lennon in “Yer Blues,”  

Ricky Nelson in “Garden Party,”  

David Bowie in “Song for Bob Dylan.”

Listen Silent

The Eyes They See

Reveals A Renaming

Anagrams Never Lie 

Metathesis It’s The Same

Statue of Liberty Built To Stay Free

Elvis Lives

Married Admirer

The Best Things In Life Are Free

Nail Biting Refreshes The Feet

Salvaged Soul God Save Us All

Desperation A Rope Ends It

The Detectives Detect Thieves

Mother In Law Woman Hitler

Father In Law Near Halfwit

Funeral Real Fun

in vivo 

of mind

LISTEN TO NEOSZE

  FREE RADICAL WILL 

Uncover The Lost

MANDALA

The Lost 

Mandala of Nature

when you find the mandala

the above logos will emit light

358752389728743578298654783

players currently searching for mandala

look to the data in the symbols

 to uncover your meaning

your senses will filter anything not 

designated for you specifically

yes you TimePlayer

For If It Is Lost 

It Can Be Found

each situation 

in perpetual

(((  motion )))

in  a vast

 (m) ocean 

beyond 

what        you  can        see

with      your              eyes

😂

SENSORY 

SEESTERS

you must

stop 

trying to 

analyze

visually

I’m a cookie cutter

of twisted metal

chips are stacked

in drops of glass

i’m a mother father

of many others

roots of space

in place of steps

i’m a careful docor

of no other

patients come

to which i ask

anthropocene

what is it to know

cracks broken

you can’t fix it

all yourself

what is it to see

so many colors

when in the light 

you’re

black and white

anthropocene 

if we could tie

together knots

of dirt and 

ivy weed

we could plant

flowers and 

oak trees

that grow within 

anthropocene

¡f you sit with me

•

and focus here

hear

we

exist 

¡n 

t!me

(outs¡de of t!me)

((( at the same t¡me )))

†ˆµ´π¬å¥´®

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“…the definitive introduction to the scope and range of Hermitius’ Work.”

The Times